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My Newest Painting

The Unschooled School 

oil on canvas on hardboard, 140 x 90 cm. 





Shaped painting 'The Unschooled School' by Paul Critchley
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
Shaped painting 'The Unschooled School' by Paul Critchley,detail
The Unschooled School, list of fish

Normally when I start a painting I have to do some drawings to sort out the composition; something here, something over there, large, small, dark and light but how was I going to make a painting of 20 different fish, all different sizes, colours, textures? Do I put one here, a different one there…? Hmmm. I can’t go and buy 20 fish, plonk them on a table and just start moving them about so they look interesting because by the time I’ve decided what goes where the fish could have been sitting in the sun for a few hours, so I had to do this painting totally different to every other I’ve done: I went to a fish shop and took photos of all the different fish, they were all in polystyrene crates all nice a neat and ordered. I bought two fish, one to paint in the morning and the other in the afternoon, they were Scorfano Rossi because I had never seen them before. Back in the studio I flipped through the photos and noted the differences in scale and made some scribbles on a piece of paper; big one here, small one there, this one at an angle, this one bent and so I had a vague picture of how they could all fit together. I had a piece of hardboard already covered in canvas 90 x 140 cm but since I didn’t have any idea of the composition I had left it rectangular. When I had an idea of where to place the fish I started painting the fish on the canvas, just roughly indicating where each would go . In the evenings  I cooked the fish. I repeated this until I had completed the composition and then shaped the painting and painted all the details.

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